Just imagine yourself seated on a shadowy terrace,
And beside you is a girl who stirs you more strangely than an
It is a summer evening at its most superb,
And the moonlight reminds you that To Love is an active verb.
And your hand clasps hers, which rests there without shrinking,
And after a silence fraught with romance you ask her what she is
And she starts and returns from the moon-washed distances to the
And says, Oh I was wondering how many bamboo shoots a day it
takes to feed a baby Giant Panda.
Or you stand with her on a hilltop and gaze on a winter sunset,
And everything is as starkly beautiful as a page from Sigrid Undset,
And your arm goes round her waist and you make an avowal
which for masterfully marshaled emotional content might have
been a page of Ouida’s or Thackeray’s,
And after a silence fraught with romance she says, I forgot to or-
der the limes for the Daiquiris.
Or in a twilight drawing room you have just asked the most mo-
mentous of questions,
And after a silence fraught with romance she says, I think this
little table would look better where that little table is, but
then where would that little table go, have you any sugges-
And that’s the way they go around hitting below our belts;
It isn’t that nothing is sacred to them, it’s just that at the Sacred
Moment they are always thinking of something else.
These are fragrant acres where
Evening comes long hours late
And the still unmoving air
Cools the fevered hands of Fate.
Meadows where the afternoon
Hangs suspended in a flower
And the moments of our doom
Drift upon a weightless hour.
And we who thought that surely night
Would bring us triumph or defeat
Only find the stars are white
Clover at our naked feet.
How pleasant to sit on the beach,
On the beach, on the sand, in the sun,
With ocean galore within reach,
And nothing at all to be done!
No letters to answer,
No bills to be burned,
No work to be shirked,
No cash to be earned.
It is pleasant to sit on the beach
With nothing at all to be done.
How pleasant to look at the ocean,
Democratic and damp; indiscriminate;
It fills me with noble emotion
To think I am able to swim in it.
To lave in the wave,
Majestic and chilly,
Tomorrow I crave;
But today it is silly.
It is pleasant to look at the ocean;
Tomorrow, perhaps, I shall swim in it.
How pleasant to gaze at the sailors,
As their sailboats they manfully sail
With the vigor of vikings and whalers
In the days of the viking and whale.
They sport on the brink
Of the shad and the shark;
If it’s windy they sink;
If it isn’t, they park.
It is pleasant to gaze at the sailors,
To gaze without having to sail.
How pleasant the salt anaesthetic
Of the air and the sand and the sun;
Leave the earth to the strong and athletic,
And the sea to adventure upon.
But the sun and the sand
No contractor can copy;
We lie in the land
Of the lotus and poppy;
We vegetate, calm and aesthetic,
On the beach, on the sand, in the sun.
Along the shore the cloud waves break,
The twin suns sink behind the lake,
The shadows lengthen
Strange is the night where black stars rise,
And strange moons circle through the skies
But stranger still is
Songs that the Hyades shall sing,
Where flap the tatters of the King,
Must die unheard in
Song of my soul, my voice is dead,
Die thou, unsung, as tears unshed
Shall dry and die in
– “Cassilda’s Song” The King in Yellow Act 1, Scene 2 – Robert W. Chambers
Good-night? ah! no; the hour is ill
Which severs those it should unite;
Let us remain together still,
Then it will be good night.
How can I call the lone night good,
Though thy sweet wishes wing its flight?
Be it not said, thought, understood—
Then it will be—good night.
To hearts which near each other move
From evening close to morning light,
The night is good; because, my love,
They never say good-night.